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  Couples—in romantic relationships or familial ones—can be as mesmerizing as swirling eddies or a car accident. The way two humans become entwined into one beautiful mess has been explored in psychology, literature, and film, but much less so in painting.                     Many years ago, I

When I returned to New York City in 1997, after a year in Berlin, I continued to explore the themes in my interdisciplinary installation at Tacheles Kunsthaus, Berlin, called “I keep forgetting …” : that is, domestic interiors gone haywire, in which secrets are projected into the surrounding objects and space, environments where interior/psychological and exterior

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“Portrait of the Artist as a Young Boat,” 1988-1989 My earliest installation series, entitled “Portrait of the Artist as a Young Boat”— which combined painted canvases in the shape of sails; rope; found objects; and text—was developed during an artist-in-residency fellowship at Altos De Chavon in the Dominican Republic, in 1987. The tenuous rigging of

“Few cities in Italy have undergone such a deep metamorphosis as Bologna over the years: from a ‘water city’, it has gradually evolved into a ‘land city’. Few visitors today would think that in the past centuries it was known as Little Venice. . . .”  —Discovering Bologna and Its Waters, by Cecilia Ugolini Since the

interstices, 2002 “interstices” was a site-specific installation for the Alice Austen Museum, sponsored by The Newhouse Center for Art in New York, as part of a large international exhibition in New York City. In 2001, More than two dozen artists from around the world were invited to create art that related in some way to